MOSAIC STUDIO MOTION BLACK CHEETAH ARTWORK

• Between animal power and graphic precision, this mosaic mural becomes a living totem for spaces of contemplation, movement or care. Its taut silhouette captures the light, projects kinetic energy, and transforms each wall into a field of expression.

• Dimensions of the work:
Highest height: 56 cm
Longest length: 190 cm
Thickness: 1.2 cm
Total weight: approximately 10 kg
Total number of tesserae: several hundred, all assembled, one by one, by hand, in the workshop, to the nearest millimeter

• Dimensions of each tesserae: 20 mm x 20 mm
Thickness: 3 mm
Weight of each tesserae: approximately 3 g

• Materials used: artisanal glass paste and natural minerals
Finish: all the tesserae that form the outline of the cheetah have been cut by hand one by one and polished with a wheel but remain raw despite everything

• Support material: transparent plexiglass (or PMMA – polymethyl methacrylate) which is both rigid and slightly flexible

• Properties: water-repellent, smooth surface and easy to maintain

The black cheetah is not just a silhouette in motion. It is a presence, stretched toward the essential, suspended in that moment when brute force becomes silence. Each black ceramic tile absorbs light as the gaze absorbs intention: with intensity, without dispersion. A perfect tension between momentum and restraint.

Its trajectory cleaves space with an almost meditative precision. The gesture is pure, controlled, like a long breath that passes through the body of the yogi in posture. The work evokes this inner power that one does not shout, but rather reveals: a contained, channeled energy, ready to leap forth or to anchor itself.

Placed on a wall, it doesn't tell a story: it establishes a field. A field of concentration, of fluidity, of anchoring in the present. It invites us to enter its axis, to find its center. As in a profound practice, it transforms the place into a sacred territory, inhabited by momentum, precision, and awareness.

The black cheetah is not just a silhouette in motion. It is a presence, stretched toward the essential, suspended in that moment when brute force becomes silence. Each black ceramic tile absorbs light as the gaze absorbs intention: with intensity, without dispersion. A perfect tension between momentum and restraint.

Its trajectory cleaves space with an almost meditative precision. The gesture is pure, controlled, like a long breath that passes through the body of the yogi in posture. The work evokes this inner power that one does not shout, but rather reveals: a contained, channeled energy, ready to leap forth or to anchor itself.

Placed on a wall, it doesn't tell a story: it establishes a field. A field of concentration, of fluidity, of anchoring in the present. It invites us to enter its axis, to find its center. As in a profound practice, it transforms the place into a sacred territory, inhabited by momentum, precision, and awareness.